Publications

Rights of Passage on Vinyl, published by AGYU and Art Metropole, 2023

Phase Variations, published by Nevermore Press, 2022

And in

Water, Kinship, Belief, Edited by Tairone Bastien, Candice Hopkins, and Katie Lawson, Co-published by the Toronto Biennial of Art and Art Metropole, 2022

Art in the Age of the Antropocene, Edited by Linda Kaljundi, Kumu Art Museum, 2022

Selected Texts

2021 “Listening Conditions”, by Sarah Constant, in Musicworks, Summer 2021, Toronto, ON

2020 “Gut Feeling” by Amanda Shore, in Labour, Summer 2020, Visual Arts News, Halifax, NS

2020 “Lou Sheppard” Conch FYI

2019 “Sounds of Silence” Canadian Art, September 17th, 2019, Toronto ON

2019 My Fears of Tomorrow Art Melting Away - Curatorial Text by Katie Belcher, Access Gallery, BC

2019 Antarctic Biennial, Kristie Macdonald, Journal of Curatorial Studies 8 (1), Toronto ON

2018 “In the Studio with Lou Sheppard” Bryne McLauglin, Canadian Art

2018 “Spaces Between: Lou Sheppard” Anna Taylor, Visual Arts News, Halifax NS

2018 On Translating the Untranslatable, Arielle Twist, Canadian Art Online

Selected Writing:

Relevant Permission with Michelle Pearson Clarke in C Magazine, Spring 2022

Assemblages and Alliances: The Vibrant Matter of Laura Põld in Aheraine laul. Dirt Song, by Laura Pold and Katrin Vali Tartu Art House (2020), Tartu ES

Saskatchewan Song Cycle: A Trans-reading of Land Survey in the Canadian West in Where am I in the Picture? Researcher Positionality in Rural Studies eds. Claudia Mitchell Relebohile Moletsane and Katarina Giritli Nygren, University of Toronto Press (Forthcoming) Toronto, ON

Sounds of Silence Canadian Art Online Features, September 17th, 2019, Toronto ON

Dear Well in Orphan Well Adoption Agency, Alana Bartol, Latitude 53, Edmonton AB

“Trust and the Curator-Artist Relationship”, C Magazine, 2018